
The Guggenheim is among Frank Lloyd Wright’s most inspiring works, and the institution’s new restaurant honors his iconic work. Designed by Andre Kikoski, the atmosphere is hinged by modernistic tendency, and warm splashes of color. The Wright features only 58 seats for full service dining and a casual bar area. Sculptor Liam Gillick created a commisioned work for the restaurant.
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Designers, artists and creative types live for references.
Nothing beats the inspiration of the printed page. Tactile interaction with thoughtful design, copy and color is irreplaceable. Rizzoli, Taschen, Assouline and Powerhouse make some of our favorite books.
Our resident art expert Lee Quinones hips us to his favorite book shops — The New Museum and MOMA among them. While we also love McNally Robinson on Prince St, we’re alway up for something new.
We’re excited to see how Gagosian brings it with the opening of a new book store on the upper east side at Madison Ave. and 77th St. While we tend to be more of a downtown crowd, Andrew Goldstein’s review has us inclined to make the trek on the green line to check out the offerings.
VIA ART WE LOVE:
Tuesday night was a big night at Gagosian Gallery–after debuting two extraordinary shows by Cy Twombly and Sally Mann at its Madison Avenue headquarters, the blue-chip showroom held a discreet, unofficial preview of its new “bookstore” on the corner of Madison and 77th. The term “bookstore” deserves quotations because the pristine, impeccably laid-out space clearly has higher aspirations than your average museum shop (or, say, Taschen). Upon entry, one is greeted by a line of Jeff Koons puppy vases standing sentry atop a white marble divider. Beyond this is the store, designed in minimal vanilla-ice-cream tones and displaying limited artist editions in the tens of thousands of dollars on the walls alongside gallery catalogues and the odd magazine, from Dasha Zhukova’s Pop to Interview, Frieze, and Art Forum.
The items on the store’s bookshelf range from the catalogue for the “Picasso: Mosqueteros” show to Dasha Zhukova’s “Pop” magazine. ; By Laurence Lafforgue
The editions, of course, are the main event. Rather than being a clearinghouse for existing pieces, the gallery is positioning itself as a place to unveil serious new limited lines by its top artists. Among the new works that will be introduced when the store opens officially on Friday is an inspired artist’s book by Richard Prince titled “Bettie Kline.” Taking as its jumping-off point an invented history of a relationship between legendary pin-up Bettie Page and Abstract Expressionist painter Franz Kline, the book naughtily juxtaposes black-and-white photographs of Page trussed in bondage gear with paintings by Kline that uncannily mirror the raunchy shots in both color and composition. The rhymes between Page’s black leather and Kline’s strappy brushstrokes renders the pair’s imaginary history momentarily, and hilariously, plausible. In a quick survey of the room, other works that could be spotted included a striking red canvas-based wall piece by Anselm Reyle, a set of $50,000 prints by Koons, and several alluring entomologically-designed plates by Damien Hirst.
The display for Richard Prince’s brand-new “Bettie Kline” book. ; By Laurence Lafforgue
Below are a selection of iPhone pictures snapped during a brief foray into the store, giving a taste of what will be on offer when the two-story space opens to the public. Oh, and ArtWeLove can claim a special place in the outpost’s infant history–with the purchase of two $10 copies of Pop, we became the store’s first official paying customers.
Five prints from Richard Prince’s limited edition “Bettie Kline” set. ; By Laurence Lafforgue
A framed page from Prince’s “Bettie Kline” book. ; By Andrew Goldstein
Madeline Vionnet
Images from the Rust Belt
20th Century Cars: Poetry in Motion


Our art-car critic Lee Quinones takes it from the wall to the streets.
At 84k, there better be a whole lot of turbo in this pup for that much coin. And Turbo with a capital T it has.
Bark or bite, take your pick behind door number four. Which one will it be?
Bite it has, indeed. Yet, there is no noticeable bark in this Bimmer. Initially, I was surprised that it was packing twin turbo screws in it because you’ll never hear that tattletale spooling and turbo lag common with an average turbo engine.
You have a quick stage left exit from trouble with the torque huffing out of the 4.4-liter 32 valve beast. The two color split interior of nevada beige and charcoal black are good enhancements that set off the rest of the creature comforts in true BMW style. I especially like the dark bamboo wood simulated panels peppered through out the interior. The multi- contoured leather seats are a living room oasis.
The audio system delivers pinnacle peak performance and once you pop the sunroof and slide all the windows down, the neighborhood is in full dance swing to your music. The handling is superb for such a high positioned vehicle (more on this later). The DSC brakes are on top of it all and will command a stop like NOW, and with all that rubber on all four 20″ corners to rival a Z06 Vette, what more would you want to feel?
Personally, I’d take off those stupid plastic lids with all their proclamations that hide the very thing many people want to see just like the old days — an honest-to-goodness engine. Get rid of that unnecessary electronic transmission shifter. (Yes, I’m old school) Nothing but electrical Gremlins await its fate later on down the mileage trail. It’s confusing even after you get a hang of its hang ups in a desperate situation.
The ride of this rocket would be even better if the whole package only rode another three inches closer to earth. Drop kit will probably be the first mod. This would almost captivate the public into not knowing if it is a SUV or car. All eyes on me. And last but not least, the rear window at its present slope, has no function at all. Big time blindspot. It belongs on a car that sits closer to tarmac.
More Lee on Gotryke:
Miami Murals in the Making
Lee Quinones on the Barrett-Jackson block with Ford Flex
Have fun and get used to the stares and glare.

Kenneth Anger’s short film Kustom Kar Kommandos is the historical touchstone for the current exhibition at the non-profit gallery Art in General. The 1965 film depicts a man in tight jeans buffing his car with “Dream Lover” playing in the background, a seemingly mundane task, but one that invokes the raw emotion of the material relationship and America’s love affair with the automobile. The show, curated by Sandra Skurvida, focuses on reexamining this relationship with the automobile in a contemporary backdrop. [click to continue…]

